32nd Annual Door County Folk
Festival
Get Your Foot In The Door!
Wednesday-Sunday, July 6-10, 2011 - Sister Bay, Ephraim & Baileys Harbor, Wisconsin
Home - Tel: (847)-846-8139, (773)-634-9381 -
Festival Directors |
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Gerhard Bernhard |
Gerhard Bernhard
(Sister Bay, WI) (back to top) |
Paul Collins |
Paul Collins (Chicago, IL) (back to top) Paul C has danced since the age of eight and has been an ethnic folk dance leader & square/contra dance caller since high school in the mid 1960's. Paul has been a guest caller at dances from the North Country to the Deep South and has even called squares and taught folk dancing for the hearing impaired at Gallaudet University in Washington. DC. Between 1966 and 1979, Paul led the University of Chicago Folk Dance Club and introduced squares and contras into the group's repertoire. After directing the U of C Folk Dancers' Annual Fall "International Folk Festival" for twelve years, in 1980 Paul joined Gerhard Bernhard in producing the DCFF and two years later became co-director. In 1989, Paul and Bill Sasso started the Mid-North Folk Dance Club that has today evolved into Ethnic Dance Chicago. Paul has also presented dance programs for kids in Chicago area schools, tutoring programs and scouting organizations. Since 1999 Paul has done an annual week in residency at the Spring Hill Middle School in Wisconsin Dells, Wisconsin, helping the 8th grade classes prepare ethnic dance presentations for the School's International Festival. In the world outside of dance, Paul is an independent consultant in interpersonal and group communications strategies IT outsourcing strategies and is a co-founder and director of the Midwest Facilitators' Network. |
Dance Instructors |
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Kim Caisse |
Kim Caisse (Madison, WI) (back to top) Kim has danced with the Madison international folk dance group for over ten years. She has been helping to organize and teach on Sunday nights for several years now, and enjoys being one of the little elves that help make the Madison Folk Ball and June Camp happen. Kim also teaches crochet at a marvelous cafe/yarn shop in Verona, WI, and finds it strangely similar to teaching dance. She has been self employed as a ceramic jewelry artist for over twelve years. in the spring of 2011, Kim will be relocating to an artist's colony in Hannibal Missouri, but will return as an instructor and staff member for DCFF this year. |
George Davis |
George Davis (Chicago, IL) (back to top) George, editor of the short-lived journal, Folktravesties, has been dancing since the days of the Great Society in the bright lights of Chicago. Learning dances from all of the legends: Crum, Palfi, David, Hebert, Moreau, Koenig, Filcich, Page, Czompo, Wixman, Ozkok, Drury, Mr. J. and Greene, he has managed to be known to none of them. A veteran of numerous performances at street fairs, old people's homes, testimonial dinners (before the belly dancers), and benefits for various handicapped groups; he has danced for international, Turkish, Israeli, Romanian, Latvian and Hungarian folklore groups. Dance research has taken George to exotic locales such as Milan's Lounge, the Rafters, Vi & Coy's and Tulipanos Lada. George is also a co-founder of the Franz Josef Verein, a central European cultural appreciation group. |
Deepa Devasena |
Deepa Devasena (Milwaukee,
WI) (back to top) Bhangra is a lively form of folk music and dance that originates from Punjab, India. Many people believe that Bhangra originated in the 1400s, however, it may be even older. Primarily men performed Bhangra, while the ladies performed their own fierce, yet elegent, dance called Giddha. The men wore the turbin, lungi (long cloth wrapped around the waist), and kurta (traditional Indian shirt), while the women, when performing Giddha, wore the salvar kameez (a long colorful shirt accompanied with a baggy style bottom piece) accompanied by their bright colored duppattas (cloth wrapped around the neck).The main instrument played during bhangra is a barrel size drum called the Dhol. Its strong bass beats are so contagious & can lure even the most dedicated of wallflowers onto the dance floor. Bhangra was created among farmers while they worked in fields. Since its grounded in earth, its basic movements relate to farming activities like plowing, sowing, and, harvesting. Bhangra was traditionally performed to celebrate the harvest. Nowadays, because of Punjabi influence worldwide, people perform Bhangra in all parts of the world at occasions such as weddings, receptions, and parties. Bhangra has evolved from a dance and music only performed in the Punjab region, to a popular style of music and dance that people perform throughout South Asia and many parts of the world. |
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Mary Garvin (Saint Paul, MN) (back to top) |
Doc Hartnett |
Doc Hartnett
(Sound, Valparaiso, IN) (back to top) Doc called his first square dance at the age of 17 at the Clearance Flitter farm in a small Hoosier town. Two years later, this type of dancing was no longer cool. So in the interim Doc practiced medicine in the town in which he grew up. This was a rare and wonderful experience. Doc didn’t realize that traditions have a way of renewing themselves and when contra and square dancing became popular again in the 1980s, he started up again with a vengeance at the age of 66, not only calling for dances but also hosting dances in his “Barn” in Valparaiso. |
Leslie Hyll |
Leslie Hyll (Dayton, OH) (back
to top) Leslie has been a member of the Miami Valley Folk Dancers recreational folk dance club for over 30 years, sharing teaching responsibilities (beginning and advanced levels) and serving in various administrative offices. She spear-headed a project to digitize 50 years of the club's dance workshop syllabi. She has been a member of several performing groups including: Zivio! (South Slavic), Beseda (American Czechoslovakian Club) and Bagatelle (Le Club Francais), at various times serving as a researcher, choreographer, instructor, and director for those groups. She choreographed an American suite for Zivio!'s 1987 tour of Yugoslavia, and Slovenian, Croatian, Macedonian and Pan-Slavic dance suites for the Dayton International Festival.. www.daytonfolkdance.com |
Rick King |
Rick King
(Southfield, MI) (back to top) Rick first danced at the Detroit Folkdance Club in 1973 for about 2 months but didn't dance regularly until 1978 at Alex Cushnier's group at Wayne State University. In 1979 joined the Detroit Folk Dance Club. In 1984, he took a hiatus from dancing and became active again in 1989, dancing 2-3 nights per week. In 1990, he began teaching folk dance classes in Huntington Woods and Southfield, MI and promoting folk dancing in the area, organizing dance workshops featuring local Chaldean and Lebanese ethnic groups. In 1995 he started a monthly dance group on Suns that later moved to alternate Sats in Ferndale. That year he also took a "folk dance" trip to Europe, Bulgaria and the Koprivshtitsa festival. In 1996, Rick became leader of what had formerly been the Wayne State group and moved it to the Ferndale location, dancing two Fris a month, while continuing the monthly Sat group. Eventually the two groups merged into Fris, meeting weekly. At the same time, Rick became the leader for the weekly Monday teaching nights. Rick's music collection goes beyond the basic folk dance "repertoire" recordings and contains more current versions, especially from the Balkans and the Middle East. His loves doing simpler dances to alternative music that has an "ethnic" feel. Rick is also an avid bird watcher. |
Michael Kuharski (Madison, WI) (back
to top) |
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![]() Click for An Enlarged Photo Nina Lusterman (Evanston, IL) (Dance Instructor, Dance Syllabus Coordinator) (back to top) |
Nina Lusterman (Evanston, IL) (back to top) |
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Dit Olshan (Skokie,
IL) (back
to top) |
Steve Salemson |
Steve Salemson (Madison, WI) (back to top) Steve was first exposed to folk dancing in 1962, when he spent a year living on a kibbutz in Israel. It wasn't until he moved back to New York City in 1974 that he discovered Balkan dancing and really got hooked. Soon he was dancing between 4-6 nights a week, and attending workshops taught by Yves Moreau, Dick Crum, David Vinski, Atanas Kolarovski, Pece Atanasovski, George Tomov, Moshiko Halevy, Mihai David, Bora Özkök, and others. In 1977 Steve joined Tomov's Yugoslav Folk Dance Ensemble, dancing with the group for eight years, including trips to former Yugoslavia in 1979 and 1981 to perform at the Ilindenski Denovi Festival in Bitola, Macedonia. Steve's first love is Macedonian music and dance, and he speaks some Macedonian and plays the kaval. In 1999, while working as Associate Director of the University of Wisconsin Press, Steve published Christina Kramer's Makedonski jazik, a Macedonian textbook for beginning and intermediate students, and subsequently published Ronelle Alexander's authoritative two-volume Intensive Bulgarian: A Textbook and Reference Grammar and then her Bosnian-Croatian-Serbian: A Grammar with Sociolinguistic Commentary. Steve is happily retired and lives in Madison, where he spends his time doing crossword puzzles, making music, attending concerts, biking, and, of course, folk dancing at least twice a week. |
Paul Wagner (Eau Claire, WI) (back
to top) PAUL W HAS ACCEPTED AN INVITATION FOR A THREE MONTH TEACHING ASSINGMENT IN NEW ZEALAND AND HAS HAD TO CANCEL HIS PARTICIPATION IN DCFF THIS YEAR. CONGRATULATIONS ON YOUR ASSIGNMENT, PAUL! |
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Jon Waite (Milwaukee, WI) (back to top) |
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![]() Click for An Enlarged Photo Jeanette Watts (Dayton, OH) (Middle Eastern Movemnt Dance Instructor) (back to top) |
Jeanette Watts (Dayton, OH) (back to top) Middle Eastern Dancing, i.e. belly dancing, has been around for a really, really long time. Older-than-the-pyramids long time. It's THAT good. It's a dance form that exercises just about every muscle in your body, develops balance and control, and still manages to be fun. It is a group experience, while at the same time it is an intensely personal exploration of discovery. "I never knew I could move like that..." To top it all, it gives everyone something to do when you're stuck with those dances at weddings when you kind of stand there and wiggle! |
Singing Instructor, Concertmaster |
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![]() Click for An Enlarged Photo Shelley Orbach (Skokie, IL) (Singing Instructor, Musician, Concertmaster) (back to top) |
Shelley Orbach (Skokie, IL) (back to top) |
Musicians |
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Nick Bratkovich |
Nick Bratkovich (Tulsa, OK) (back to top) Nick was born in Milwaukee WI in 1951. He is a son of Serbian parents who immigrated
to the United States after World War II. He began playing the accordion
at age 6 and started his first band at age 13, the popular Šumadija Orchestra
of Milwaukee, Wisconsin. He performed with this group throughout the 60's
at Serbian churches and ethnic folk festivals in Wisconsin, Illinois,
Indiana, Ohio and Ontario, Canada. During the 70's he was a member of
the famous Beograd Orchestra of Milwaukee, performing at the Saratoga
Lounge on South 16th Street. It was during this time that he expanded
his repertoire to include not only Serbian music, but Balkan and International
folk music as well. While living in Texas during the 80's, he performed
solo for both Serbian and International folk dancers in Dallas, Austin
and Houston. He currently lives in Tulsa, Oklahoma with his wife Nancy.
They have three grown children living in Texas and Utah. He still performs
with the original members of the Šumadija Orchestra, now known as the
Kumovi Orchestra of Los Angeles, California, and he also enjoys performing
solo for international folk dancers in Wisconsin, Oklahoma, and Texas. http://www.bratkovichmusic.com |
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Orkestar Sloboda |
Orkestar Sloboda (Milwaukee, WI) (back to top) Members are: Milan Kontich (Accordion), Harley Schoville (Percussion), Stevo Petrovich (Tambura), and Savo Radjenovich (Bass Guitar). Website: www.balkanmusic.com/sloboda. |
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The Last Gaspé
(Madison, WI) (back to top) Founded in 1987, they have played for dances and folk festivals throughout the U.S. The musicians come from very different backgrounds, ranging from self-taught to conservatory trained. They all share a love of dancing, so while they aim to be more innovative, they respect tradition and strive for danceability throughout their music. Their wide-ranging musical influences range from Count Basie to Michael Coleman to the Grateful Dead. Some of these influences show up in their approach to melody and some in their treatment of rhythm. While they don't play jazz, they take a jazz approach to playing, stressing improvisation, musical interplay and a solid ensemble sound. Play some Last Gaspé Tunes (RealPlayer Required): Medley of Reels, Medley of Jigs, Two Rivers Waltz, Play All. |
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Al Day |
Al Day (Evanston, IL) (back to top) |
Program Coordinators and Support Staff |
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Chris Alfeld |
Chris Alfeld
(Madison, WI) (back to top) Chris started folk dancing at Folk Ball 2003 and has been doing it ever since. Besides being active in folk dancing he is also active in ballroom dancing. Outside of dance, he spent a lot of time working on his Ph.D. in Mathematics (which he just received) at UW-Madison and works part time as a research assistant in computer networking. |
Sarah Bennett |
Sarah Bennett
(Madison, WI) (back to top) Sarah is a graduate student studying geography in Madison, Wisconsin. She has been enjoying teaching mapmaking and is developing a project about art and nature. In her free time, Sarah likes reading, crafts, the outdoors, and of course folk dancing. One thing you may not know about Sarah is that she likes to speak Russian when she has the chance. One thing that if you don't know it already you will soon realize is that she likes to wear brightly colored and sometimes goofy clothing. |
Eddie Cordray |
Eddie Cordray
(Dayton, OH) (back to top) Eddie has been involved in sound for dance event almost as long as he’s been dancing. Starting in the early 1970’s his parents ran a weekend dance camp “Planina” at least four times a year for over a decade. It was at this primitive and remote dance camp the he got involved in sound production and made friends with Kelvin Buneman. For several years Eddie was the assistant “sound guy.” Some of the events and venues that he assisted with were the annual California Kolo Festival during the years when it was held at UCB’s Hearst Gym, Stanford’s Roble Gym, and at San Jose State; the California Federation’s Statewide festival held at the Fresno convention center, the January festival held at San Jose’s convention center and Cubberley’s Auditorium. After Kelvin “retired” in the 1980’s Eddie continued on his own borrowing Kelvin’s equipment for several years for some of the smaller events notably, a Scandinavian weekend workshop at the Oakland Veteran’s Center and Mendocino Balkan Camp 1987-1989. After moving to Dayton, OH in 1990 and acquiring his own sound system over several years, he now provides sound for the occasional dance event in the Dayton area. |
Jim Kiehne |
Jim Kiehne
(Minneapolis, MN) (back to top) Jim is a long-time dancer and a veteran of the early years of DCFF. He loves Kolos and a few other folk dances; but also likes birds (mostly midwestern); music (esp. accordion); and drawing (with a peculiar twist). Jim was active as an accordionist with the Twin Cities-based folk dance band "Rakija", that played at DCFF several times and he also played percussion with Maritza Orchestra's gig at DCFF in 2006. Jim has been active in the affairs of Tapestry Folk Dance Center in Minneapolis. |
Carol Johnson |
Carol Johnson
(Big Bend, WI) (back to top) Carol and her husband Forrest have been folk dance leaders and teachers of the Tuesday Night recreational folk dance group in Milwaukee (now back at Hart Park in Wauwautosa) for many years and through many changes of location. They originally met at the University of Minnesota in Minneapolis, fell in love and lived happily ever after... Then they moved to the Milwaukee area! Before living in Big Bend, they made brief stops in Ann Arbor, Michigan, the Grand Canyon, Shenandoah National Park (where Forrest worked as a Park Ranger no less) and back in Minneapolis. Recently, they have been recruited to teach a folk dance class at University of Wisconsin-Milwaukee. Carol spent 33 years on the "hospital scene" as a Medical Technologist (working with bodily fluids!) before retiring. She has also sweated (talk about bodily fluids!) for over 20 years as a dance aerobics instructor and has recently turned that (the aerobics part) into a business. |
Forrest Johnson |
Forrest Johnson
(Big Bend, WI) (back to top) Forrest and his wife Carol have been folk dance leaders and teachers of the Tuesday Night recreational folk dance group in Milwaukee (now back at Hart Park in Wauwautosa) for many years and through many changes of location. They originally met at the University of Minnesota in Minneapolis, fell in love and lived happily ever after... Then they moved to the Milwaukee area! Before living in Big Bend, they made brief stops in Ann Arbor, Michigan, the Grand Canyon, Shenandoah National Park (where Forrest worked as a Park Ranger no less) and back in Minneapolis. Recently, they have been recruited to teach a folk dance class at University of Wisconsin-Milwaukee. Forrest has done a great job of arranging and coordinating the folkdance parties at DCFF. He compiles and edits Milwaukee's Folkdance Flyer and takes a lot of abuse from Tut. Since his "formal" retirement from the Milwaukee Public Schools, Forrest has actually been employed on a part-time basis at the Milwaukee Public Schools' Potters Forest doing the many duties of a forest ranger. |
Miriam & Dick Miller |
Miriam & Dick Miller
(Middleton, WI) (back to top) Miriam & Dick (Youth Activities) are both school teachers and coaches who have been involved with youth and children for many years. Miriam teaches a nature class in the summer for the recreation department. Together they enjoy hanging out with the "kids" of all ages who attend the festival and can be found painting rocks, singing and playing games. If you are considering having your kids participate, we would appreciate if you would notify Dick or Miriam Miller by telephone: (608)-836-5114 or by email: . |
Mara Kins |
Mara Kins
(Chicago, IL) (back to top) Mara was born in Riga, Latvia and moved to the U.S. with her extended family. She attended Washington High School in Milwaukee and studied Pharmacy at University of Wisconsin-Madison. She has been involved in Latvian music and dance activities for many years and is on the Board of the Chicago Latvian Association. She has also been involved with Israeli Dancing and International Folk Dancing. Mara was a member of the committee that produced the tremendously successful Pot Luck Picnic in 2010 and will lead the Picnic Committee this year. |
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Mercedes Dzindzeleta |
Mercedes Dzindzeleta
(Racine, WI) (back to top) For private therapy appointments or to contribute items to the Silent Auction, contact Mercedes: , (262)-632-2986. |
Karen Tutkowski |
Karen Tutkowski
(Milwaukee, WI) (back to top) Karen has invaded over 43 countries and often attempted to dance with the locals before she even knew anything about folk dancing. Now with 17 years of folk dance experience, the only locals who will dance with her are the Na Lesa Bulgarian Folk Ensemble and Viata Romaneasca, Milwaukee's Bulgarian and Romanian performing groups, and various others who propagate the "distinctive styling" for which Milwaukee is famous. Karen is famous for losing partners in any dance, including The Gie Gordons. She is a high school English teacher, a member of the Ethnictricity International Folk Band, and the announcer at Milwaukee's Hart Park folk dance group, so she is used to people not listening to her. As co-announcer with Forrest at the evening parties, she is hopeful that the Door County Folk Festival will open new "Doors" for her. Coincidentally, she is the author of the "Get your foot in the Door" slogan on which Paul is not sharing royalties. |
Joan Amsterdam |
Joan Amsterdam - International Folk Rhyrhms
(Northbrook, IL) (back to top)
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Work Scholars |
Work Scholars (back to top) The Work Scholar Team Leaders do and excellent job of planning, organizing and managing the work schedule. DCFF wishes to thank the Work Scholar Team Leaders and the Work Scholar Team for outstanding performance.
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Staff Members Rotating In or Out (back to top) |
Staff Members Rotating In or Out (back to top) One of the best ways to do that is to reach out to and network with leaders, callers and dancers in other areas and to invite them to participate in the Festival in a number of ways. DCFF welcomes new and returning staff members: (back to top)
DCFF wishes to thank members of the staff who have rotated out this year so that we might invite a different mix of teachers to join the staff: (back to top)
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April 2011 has been a very sad month as we've lost two very wonderful people who were also key members of the International Folk Dance and Door County Folk Festival communities. To honor the lives of Warren Kubitschek and Nancy Yugo, DCFF will offer moments of silence and time for remembrances at the Friday and Saturday outdoor dinner events – see below: Click Here for the Warren-Nancy Remembrance Page |
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Warren Kubitschek
Nancy Yugo |
Warren Kubitschek
(South Bend, IN) (back to top) Celebrations of Warren's Life
Nancy Yugo
(Madison, WI) (back to top) Celebratons of Nancy's Life
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